Skip to main content

Chickened Out on My PR Photo



Had to get a PR photo done for the symphony program. Was this a time to be unstuffy? Certainly seemed like a chance. I could use one of my business headshots, wearing my typical red Hawaiian shirt. I could wear a tux but with a Hawaiian bow tie. I don't have one yet, but I know where I can get one online. I could look artsy and wear a black turtleneck with no jacket. Sure, that's a little hipsterish or 80-ish or 70-ish or something, but it wouldn't be stuffy. Well, at least it would be retro-stuffy.
   But I chickened out. Wore my white pleated shirt, black bow tie, and tux jacket. I was wearing shorts, but they don't show in the photo. Totally stuffy. Actually, not white tie with tails stuffy, but pretty stuffy.
   At first I was disappointed with myself for chickening out like this, but I got over it. I don't have the gig yet. You can't shake up the status quo from inside until you're actually inside the status quo. Using an unstuffy photo for my audition concert would likely have backfired with the board, possibly the audience, and maybe the players. Too dangerous.
   If I get the gig, clothing will better reflect the concert. Kid's concerts? Everyone should wear Hawaiian shirts. Pop concerts? White shirt and black, or not black, bow tie. Or maybe just white shirt, black pants, and a regular tie. It's pops, so we shouldn't dress like we're playing Prokofiev.
   Does your conductor wear unstuffy clothes in concert? In rehearsal? Do the players every wear anything unusual? Comment below, please.

Comments

Popular posts from this blog

Can't Finish with the Unfinished

Photo courtesy: Unsplash.com After much consideration, and conversations with people interested in helping me present the best concert possible, I have come to the conclusion I can't finish my concert with the Unfinished Symphony. The concern? If we play it beautifully, the soft ending relaxes people too much for them to get excited about the wonderful concert. We don’t want to hear the last chord float through the hall and the listeners all sigh contentedly. We want them to scream with excitement.           The concert is labeled," Classic with a Twist." Perhaps the twist is we play the symphony in the first half, and the Handel Water Music as the closer. Lots of brass in the Hornpipe that finishes the Hamilton Hardy arrangement of the Water Music, and that should help pull people up out of their seats and get them cheering at the end.           Beautiful endings CAN pull people out of their seats cheering, but too often the opposite happens. I've seen t

Picking My Program – The Big Piece

For the final audition in our selection process, each of the three conductors gets to rehearse and perform one concert. Each finalist chooses his (no hers involved, unfortunately) own program, based on a theme. Mine is “Classical with a Twist.” Not sure what that means.           The interim conductor, who unfortunately has the inside track on the final job here as in all other interim situations, will do the Christmas concert. This is another big advantage for the candidate let’s call T. We do two performances of the Christmas concert to accommodate all the attendees, since our hall is rather small. Good, but small. The other finalist, let’s call him M, will do the November concert.           I get the September concert, the first of the year. Good in that I can make the first impression and set the bar for the others, and bad in that ramping up is a slow process that makes for some sparse rehearsals. Many players don’t play in other groups, so they will be out of practice and sh

Welcome to The Unstuffy Symphony

OK, here's the deal: I want to make my volunteer community orchestra as “unstuffy” as possible. Technically, the orchestra is not mine, at least not yet. I am one of three finalists to become conductor of a community orchestra in a suburb of one of the three major cities in Texas. But those details are for later.    I can tell you the truth because I'm hiding behind a layer of anonymity. After the audition process, if I get the honor of being appointed the new conductor, I will put my name on this and continue. If not, I may scuttle it but will more likely keep it anonymous as I try to make changes after somehow getting on the Board of Directors and start pushing for change from the inside.     What do I mean by an "unstuffy" symphony orchestra? Classical music of all kinds gets accused of being stuffy, pretentious, and elitist. Often those criticisms are warranted, at least about practitioners if not the music itself. At the community level, the 1,400 to 1,700 l